MusicRadar Tech

Arturia MiniFreak 49: 3 things we love… and 1 thing we don’t

Why Aasthma took 67 versions to nail their Daphni remix: "When we work, it's about conducting"

STUDIO TOUR: Peder Mannerfelt & Pär Grindvik's Aasthma Lab – "It's different when you get hands-on"

Ableton users: Stray LFOs can make your synth sounds feel more alive

"It's simple, but it's memorable": Fred Falke on writing the bassline to house classic Intro

"As simple as you can get, but you still get different grooves": Peder Mannerfelt on making Bubble

In the studio with Aasthma (Peder Mannerfelt & Pär Grindvik): Daphni remix & Bubble track breakdown

"You want that vibe when you're writing": The plugin Shadow Child keeps across his master (2016)

Danny Byrd loved his API 2500 compressor so much he bought two (2022)

"I'm a real hands-on guy": Ben Westbeech on his go-to vocal chain & rack of outboard effects (2014)

"I don't need all this stuff!": Daisy* (fka BABii) on AI, ditching her hardware & her new alias

UDO Audio DMNO review: "It talks the talk and you listen when it does"

How Laura Misch uses looping and effects to turn her sax playing into washes of synth-style ambience

Omnisphere, Polysix & deep sub bass: Gorgon City break down Imagination – FROM THE ARCHIVE (2018)

"It's just fun to not know how to use things properly": Why Loraine James avoids reading the manual

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