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Arturia MiniFreak 49: 3 things we love… and 1 thing we don’t
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Why Aasthma took 67 versions to nail their Daphni remix: "When we work, it's about conducting"
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8:57
Aasthma on their studio essentials: A "Star Trek" desk, outboard effects, sculptures and whiteboards
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0:50
Ableton users: Stray LFOs can make your synth sounds feel more alive
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"It's simple, but it's memorable": Fred Falke on writing the bassline to house classic Intro
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"As simple as you can get, but you still get different grooves": Peder Mannerfelt on making Bubble
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52:42
In the studio with Aasthma (Peder Mannerfelt & Pär Grindvik): Daphni remix & Bubble track breakdown
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Danny Byrd loved his API 2500 compressor so much he bought two (2022)
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"I'm a real hands-on guy": Ben Westbeech on his go-to vocal chain & rack of outboard effects (2014)
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"I don't need all this stuff!": Daisy* (fka BABii) on AI, ditching her hardware & her new alias
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UDO Audio DMNO review: "It talks the talk and you listen when it does"
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How Laura Misch uses looping and effects to turn her sax playing into washes of synth-style ambience
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Omnisphere, Polysix & deep sub bass: Gorgon City break down Imagination – FROM THE ARCHIVE (2018)
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"It's just fun to not know how to use things properly": Why Loraine James avoids reading the manual
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2:4
Vector Map lets you modulate sounds with physics in Ableton Live
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1:28
Native Instruments Super*Saw review: "A fantastic-sounding instrument from NI and AG Cook"
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Dub legend Adrian Sherwood on why not being a musician makes him a better producer
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25:41
Ableton Modulators explained: Unlocking the power of LFOs and envelopes in Live
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1:43
Ital Tek: "Some of the best things I've written were quite naive – I didn't know what I was doing"
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"It smells amazing": Why Laura Misch would love a vocal booth covered in moss
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"The Bass Station has such an earthy warmth": Laura Misch breaks down her track Kairos
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Why Hot Chip's Al Doyle loves his vintage Trident mixing desk
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How Daisy* (fka BABii) upended her songwriting process for her latest EP
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Techno legend Dave Clarke on his '90s studio setup: "It was really DIY"
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Laura Misch is making electronic music with rocks, fossils and ancient sound
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24:19
Laura Misch turns acoustic tones into ambient electronics: "These sounds are billions of years old"
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2:56
Prospa making a beat in Reason (2019): "It's almost live but electronic at the same time"
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How Daisy* (fka BABii) reinvented her approach to production for her new EP, Punch
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French producer Vitalic on why he uses his SH-101 as a go-to FX machine (2013)
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